A LESSON IN LOVE: THE PEYOTE DIARIES

“If Ayahuasca is the head medicine, Peyote is to heal the heart.” One woman shares her Peyote journey, and tells how the mystical cactus helped her find her family. Images: Daniel R. Moore (homepage) and Abbey Watkins (post), both via Behance.net  

Peyote inspired "Confuse The Spirit" series by Abbey Watkins featured on TheNuminous.net

“I first heard about Peyote about four years ago when a friend told me about his experience in Arizona at the Church of Peyote, where he went to one ceremony after another for three months straight. I was captivated, and let him talk for three hours. His story was magical and he told it with so much love I could feel it. Also having known him for a while, I could see how his experiences had changed him as a person.

He continued to tell me whenever his “Roadman” (what the Church of Peyote call their Shaman) was doing a ceremony, and I always thought about doing it but the time was never right. Until my ex-boyfriend, also a mutual friend, texted me out of the blue three days after his first ceremony saying; “hey, I think I found OUR medicine.”

He and I share a very intimate knowledge of each other’s problems, and having taken Peyote he said he thought it could help me in the same way it helped him.
And so six months later, when I found out that he was organizing a meeting in Europe in two weeks time, it felt like a no-brainer. I had $200 in my pocket, but I was like, ‘fuck it, I have to make it work.’

He’s a pretty social guy and word had got around, so there were about 40 people in attendance. It was taking place in quite a remote place, and I travelled 24 hours to get there and missed the first round of medicine, so I was asking everybody how it was. They told me; “if it’s for you, life will just make sense.”

Peyote inspired "Confuse The Spirit" series by Abbey Watkins featured on TheNuminous.net

But I already knew it was for me.

Each tribe has their own way of running their ceremony, but I’ve done four ceremonies with the same guys now and it starts with burning tobacco, which opens up a channel to the spiritual world. The Roadman runs the ceremony, and then there’s a Fire Chief, whose job it is to make sure the fire, the “Grandfather,” stays bright and beautiful all night.

The person arranging the ceremony is in the “sponsored seat,” and they set the intention for the night. The Doorman’s job is to make sure people are sitting in the right spot and to keep things clean when people “get well” (throw up). The Drummer drums for everybody individually, and we all sing. And if the men run the ceremony, one female is also chosen to bring food – corn, meat and fruit – and water in the morning.

After the tobacco the Sponsor sets the intention for the night, then the medicine starts rolling, which comes in completely different forms depending on the Roadman. My first time, it came in four forms – a paste, a fresh form, a tea and a cold juice, and we were invited to take a portion of each. It’s a very acquired taste and all you can smell for two days afterwards is Peyote…I can’t describe it, because there’s nothing else like it and you know it right away; the mescaline.

As for how it makes me feel? The first time it made me really, really tired. So tired I couldn’t keep my eyes open. So the challenge was to sit and pay attention for nine hours straight.

It also really amplifies feelings. If Ayahuasca is the head medicine, then Peyote is the heart medicine. With Aya you take it and you go somewhere else, but with Peyote you’re completely grounded. I could talk to you like I am now, no problem, it’s just everything is amplified. In your head you’re able to connect the dots, like when you’re smoking weed, but in your heart it’s like taking MDMA – when you feel connected to everything, and you’re able to understand what everybody else is feeling.

Peyote inspired "Confuse The Spirit" series by Abbey Watkins featured on TheNuminous.net

Some people get trippy visuals but I never have. That first time I did feel raindrops on my shoulder which obviously weren’t there, and which turned into a feeling of joy that spread over my whole body. For me it feels like love is in that tepee, I don’t know how else to explain it. And afterwards, I always feel supercharged.

After my first time, I did two more ceremonies in the space of two weeks. I only took a small amount the first time and didn’t get well, but the second time I decided I wanted to dedicate my experience to different people in my life and wrote down ten names – so I took a spoonful of medicine for each of them…and got super well!

I saw it like there was obviously something that needed healing in each of those relationships, because when I took a spoonful for each of the same ten people the next time, I was flying high – a high that lasted six months. You go to places in your head where you get so emotional, and I often cry all the way through which is an amazing release in itself.

Now I feel like I’d do it once a month to keep me on track, like you might see a therapist. It can become a way of life, but for some people once a year is enough. Personally, I’d like to learn more, to understand the culture more and all the details about how to run a ceremony. They’d never let a woman put the tepee up, but I’m fascinated by the way they tie the knots in a certain way to honour the elements and stuff…and to learn about it, I just need to spend more time with them.

Peyote inspired "Confuse The Spirit" series by Abbey Watkins featured on TheNuminous.net

Also, the Roadman I follow is hilarious – he’s covered in tats, like a Mexican gangster, and he’s a funny motherfucker! For me he bridges the gap between my world and the ancient spiritual world, which makes it all so much more relatable to me. I told my friend I think I’m in love with him; he was like, ‘get in line!’

More recently, visiting Phoenix Arizona for a ceremony to celebrate the 13th wedding anniversary of my Roadman and his wife was one of the most beautiful things I’ve every experienced. I felt so blessed to go to the place where they’ve been doing these ceremonies for thousands of years. It was like visiting the holy land. But I’ve also done one with a different tribe in the Bronx in New York City, which was run by my Roadman’s ‘brother.’

People in the Peyote families know each other as relatives, and they believe that if you bring a partner into the circle and sit next to each other, that means you’re partners for life. It comes down to the fact that if you know this medicine works for you, then you feel a connection to other people in the same circles. It’s like there’s something in your makeup that’s the same, or you understand that maybe you experience the same kind of problems in life.

For me, the most beautiful part of my whole experience has been learning what real family connection feels like. Seeing how much the families respect each other, it’s ridiculous – and it’s why I keep going back.

Peyote inspired "Confuse The Spirit" series by Abbey Watkins featured on TheNuminous.net

Growing up, I never understood what family values were – my parents were there, but not emotionally. We’re very distant as a family. My friends are the people I would take a bullet for – but through the ceremonies, I’m learning how to forge a connection with my blood relatives too. The most important lesson has been to understand their value in my life, and to respect that. I appreciate them more for who they are now – and understand why maybe I should text my mom just to tell her I love her from time to time.

Elsewhere, it’s brought me so much clarity. Meeting new people, I can tell what kind of relationship we’re going to have, and if I used to have a tendency to give too much, now I’m aware of when that’s happening so I can stop. It’s like I’ve been granted an outside perspective. I’ve also learned to listen more and absorb stuff without feeling like I need to react right away. To just sit, and pay attention. I feel like I approach everything in a more peaceful, patient and positive way. And my close friends have all been able to see it.”

Peyote dear illustration by Daniel R Moore featured on TheNuminous.net
Image: Daniel R Moore via Behance.net

Taylor EyeWalker is a scent alchemist who crafts moon and crystal-charged botanical perfumes from her magical lair in Topanga Canyon, California. With Valentine’s Day on the horizon, Madeline Giles shares her experience of receiving a custom-made Love Potion.

Driving up the desolate dirt road to Taylor EyeWalker’s mountain home on a warm California day, I have no idea what to expect. There’s no manual on how you’re supposed to feel prior to meeting a scent alchemist for a consultation for a personalized Love Potion – but weaving through the enchanted forests of Topanga Canyon, perhaps I am Cinderella (pre-Prince Charming) about to meet her fairy godmother for the first time.

Having come across her page on Facebook, I had contacted Taylor first and foremost because I wanted to create a loving experience for myself. The magical vibe of her site totally resonated with me, and, having just moved from Brooklyn to Venice Beach, I felt receiving a custom scent might help ground me. For the record yes, I am single – and while I’m comfortable with this right now, I’m definitely open to receiving all the help I can get. Especially when it involves Earth magic.

After parking on an uphill driveway, Taylor, who is tall, blonde and beautiful (this is LA after all, where even the witches look like movie stars), greets me warmly with her adorable French bulldog, Monkey. She then leads me upstairs onto a dreamlike outdoor terrace, where a Navajo-themed straw mat lies adorned with meditation cushions, a Buddha statue, incense, earthen bowls, and a teakettle. As we sit in comfortable silence, Taylor begins preparing a pre-consultation tea ritual.

The consultation “room”
Making magic

“I like to serve tea first so we can authentically connect to the now,” she muses. I take a sip, and immediately feel pulled into a deeper part of myself. “Whoa,” I share. “What’s in this?” Taylor tells me we are drinking Living Tea, which comes from the high mountains and valleys of China and Taiwan from trees that are hundreds of years old. “The veins of a tealeaf resemble the veins of our bodies,” she says. “Connecting with the plant spirit allows us to more deeply connect with the energies of the earth.”

It only takes three cups of magic tea for me to feel completely at ease. When I arrived I was slightly anxious and unsure what would be expected of me, as I knew I was going to have to reveal deep aspects of myself. But thankfully, post-tea, my nervous monkey-mind is silenced. I feel entirely safe – and even eager – to share it ALL. Taylor asks if I’m ready to commence, so I take a deep breath and, pen and paper in hand, she begins.

Do you smoke? Have you ever smoked?

Is there a place in your life where you desire deeper love and connection?

Is there anything in your life you’d like to change?

What is your intention for this creation, this alchemy?

Are you ready for a relationship?

The list goes on, and I find myself sharing things I wasn’t consciously aware were even there. Like the fact that my deepest desire is to be in a soul-centered, romantic relationship, yet at this point in time I don’t feel ready for it. Question after question, I dive deeper into my heart. Before I know it, almost an hour has passed, and the consultation is over.

I ask Taylor to take me through what happens from here. “When you leave, I go into my realm and really create for you,” she explains. “Every alchemy is different, and generally I go up into the ninth plane of existence to be sure I’m not bringing any of my own projections in.”

Though Taylor has sustained an intuitive relationship with plants all her life (even as a child she crafted plant potions in a cauldron on her parents’ land in South Carolina), in recent years she further developed her abilities by studying plant medicine with indigenous tribes in South America.

“I still hold very true to the shamans of the Amazon,” she says. “I really appreciate what they can create – especially Pusangas, which are Amazonian Love Potions made specifically for individuals by connecting with plant spirits. The potion becomes a divination tool that you use in ceremony or ritual. It’s something that you keep sacred.”

A few days later, I receive my custom potion in a tiny glass bottle with a hand-written card that shares channeled messages Taylor received during the creation. I read the card first, and my eyes immediately well with tears. Several of the messages she shares are things I’ve intuitively been feeling for months. This is such a powerful, whimsical, feminine potion…it reminds me of Quan Yin, she writes.  I went very, very deep in a cosmic wave, and I did many Theta downloads on this creation, ones you have requested in your life.

The downloads included things like dancing to eating more beets (who knew?), to wearing pearls on my body (as an incarnated mermaid, I deeply connect with them). I haven’t even smelled my Love Potion yet, and I already feel so seen, loved and understood. “This is really a self love potion,” Taylor had said during our consultation. “If we don’t have love within our hearts, if we don’t have love for ourselves, if we don’t feel whole, if our cup is not full, we will not attract the love we deserve.”

The author
Madeline’s Love Potion

Something I feel I’ve literally heard said a million times, yet coming from Taylor, I receive the message differently. I feel, for the first time ever, like I could literally hold the love of my own heart in the palm of my hand, thanks to this magical little bottle. Keeping this in mind, I carefully open my Love Potion and gently inhale. All I can say is…oh my God! Lavender, cedar, oak moss, rose, white lotus, jasmine, tiger’s eye, and many more familiar and unfamiliar scents rush to embrace every cell of my body. I feel like I am literally smelling my essence in liquid form, and this makes me smile. A lot.

I immediately decide I need to go for a walk and so I head out and hop in my building’s elevator. A man is waiting there. I’ve never seen him before, and yes he’s pretty cute. I’m smiling. He’s smiling. Then the elevator door opens, and as I walk outside I hear his pace quicken behind me. “Hey!” he says. “Are you wearing perfume?” I nod awkwardly – but then I remember I’m not, exactly. He looks into my eyes, brows raised, and grins; “It smells so good.”

Taylor Eyewalker also teaches kundalini yoga, offers theta healing, leads retreats, reads tarot and conducts rituals. Discover more at Eyewalkerelements.com

Connect with Madeline Giles at Mermadeline.com
@Mer_Madeline

BODY GLYPH: A CEREMONY FOR MOTHER NATURE

“Nature sustains us, and is a living force to be remembered and to be honored. She clothes us in sunlight and shadows, leaves and sand, flowers and geometry. This is the beauty of life off the runway and beyond seasonal trends.”

Photo © Polina Sirosh/Oliver Halsman Rosenberg as the credit line.
Photo © Polina Sirosh/Oliver Halsman Rosenberg 

When I first saw Oliver Halsman Rosenberg at a party on the roof of the Standard Hotel this summer, I knew it was only a matter of time before we’d be featuring him on the site. The NYC-born artist and global nomad wore bones around his neck and silver paint on his face, and is the living embodiment of the consciousness-expanding message of his work, “body glyphs” which use the human form as a canvas for messages divined from the world of the unseen.

Described as; “vibrational mantras manifested on skin,” Oliver’s latest project, Ceremony, is a collaboration with the photographer Polina Sirosh. Begun in Tulum, Mexico, on the cusp of the Mayan calendar change in the winter of 2012, the project continued over the summer of 2013 in Berlin.

Photo © Polina Sirosh/Oliver Halsman Rosenberg
Photo © Polina Sirosh/Oliver Halsman Rosenberg
Photo © Polina Sirosh/Oliver Halsman Rosenberg

HOW DID THE CONVERSATION ABOUT THIS COLLABORATION START?
I was in Tulum as part of a Design Hotels’ “Pop Up Ashram” project at Papaya Playa, where Polina was living with her husband Claus and two kids (in an amazing home in the jungle right on the beach). She saw me doing my body glyphs at an event there, and proposed we do a shoot. At first it was for fun, but we got such magical results that I moved into her guest hut and we continued to work together for a few months; shooting on the beaches, in the jungle, on ruins, and in cenotes.

WHERE DID YOU SHOOT AND WHY? 
Polina lives in Berlin part of the year, and she invited me to continue working on the project with her there. We used her house as a base and a studio, and then we would drive out into the amazing forests and fields that surround the city. We both have an attraction to the purity of nature, and for this series we wanted to explore and be inspired by the landscape.

Photo © Polina Sirosh/Oliver Halsman Rosenberg
Photo © Polina Sirosh/Oliver Halsman Rosenberg
Photo © Polina Sirosh/Oliver Halsman Rosenberg

HOW LONG DOES EACH PAINTING TAKE, AND WERE THESE ALL PRODUCED ON SITE?
Each painting takes three-four hours. Because I never know how Polina will ask the models to pose, I need to cover practically every square inch. I used her rooftop as the studio. It had an amazing view of the city, and created quite a meditative space under the expanse of the Berlin sky.

YOU HAVE DESCRIBED TO ME BEFORE HOW THE PAINTING PROCESS IS ALMOST LIKE ‘CHANNELING’ AN ALIEN LANGUAGE – WHAT’S THE MESSAGE WITH THIS PROJECT?
The calligraphy I do on the body is a language, it’s poetry, it’s math, it’s energy, and it’s meditation all at once. It’s always unique and un-premeditated. Often I just sit with the model, and based on her vibration different patterns emerge on her skin. One model I started to paint with King Tut colors and patterns unconsciously, and it turned out she was part Egyptian. For me it’s just a precious gift I have that I am trying to take care of, and explore in creative ways with creative people. I think with this project, Polina and I both wanted to communicate to the world is that Mother Nature is precious, perhaps the most precious and magical resource we have. And that the body the temple where we worship her. So this project is a celebration of all things natural.

Photo © Polina Sirosh/Oliver Halsman Rosenberg
Photo © Polina Sirosh/Oliver Halsman Rosenberg
Photo © Polina Sirosh/Oliver Halsman Rosenberg
Photo © Polina Sirosh/Oliver Halsman Rosenberg

WHERE WOULD YOU LOVE TO SEE A WOMAN WEAR ONE OF YOUR ‘PIECES’?
Polina often talks about a fantasy she has about being able to wake up in the future, and instead of wearing clothes, just step inside some machine that prints a fresh pattern of mine on her every morning. As far as seeing women wearing my pieces, I am really curious to see what the designers ThreeAsfour come up with for their next season’s line, which will be based on some textile patterns I created before I went to Berlin in Aug. But I guess the ultimate would be to see my future beloved wearing an otherworldly bridal dress at an altar out somewhere in nature.

Catch Oliver’s body glyphs in person as part of NYC fashion group threeASFOUR‘s PERFORMA 13 event on Nov 10th at The Jewish Museum (RSVP only). The glyphs also feature in the threeASFOUR Fall 2014 collection, premiering Feb 2014