HOLY F*CK: STYLE YOUR CROWN CHAKRA WITH A HAIR SHAMAN

The higher the hair the closer to Goddess! Alexandra Roxo chats with hair shaman Andi Scarbrough about gem combs, crown chakras, and beauty work as ministry.

 

“Your hair becomes an offering to spirit to catalyze the internal change”- Andi Scarbrough 

Hair identity is a HUGE part of our self-expression, especially for women. Our hair reflects our cultural and ethnic background, the subcultures we are a part of, and even our spiritual and political beliefs. Hair has both been part of sacred and ancient rituals, and has been used to repress and humiliate women. Through all of it, our locks have held incredible power.

But like most things sacred , hair rituals have been commodified. We see a Super Cuts on every corner and the mass homogenization of hairstyles that’s been dictated by celebrity and popular culture more than anything.

So what about reclaiming HAIR as another sacred as hell space for ritual, transformation, ceremony, tribe, and lineage? Stylist and hair magic maker Andi Scarborough is doing just that!

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I’ll admit, I was nervous (aka panicked) about letting someone cut my hair. But when I arrived at Andi’s salon, she scooped me into her chair with a quieting presence. As she began to run a rose quartz comb through my frizzed out mop, I felt myself loosen. I realized just how tight the control I had around my hair was.

As she gently asked me a few questions, I found myself revealing my whole “hair story” to her. I shared all the times I was ridiculed and the shame I still carried. All the times I had tried to tame this hair and the point when I started making my hair red.

As she counseled and intuited my hair story and my hair needs, the tears began to flow. As she snipped, she reminded me of all the old Loves, the stories, the pain, everything that was releasing with the hair falling to the ground.

I cried for the rest of the day. I was shedding. I let myself shed the old layers. I let myself release.

Post cut, I sat down with Andi to hear more about her work … 

Rose Quartz Gemcomb- to purchase your own contact [email protected]

Alexandra: How do you describe your work?

Andi: Women’s Health just quoted me saying “I believe this work is a sort of ministry.” Part of me still thinks this is hysterical! I had an experience when I was a little girl where a woman faith healer came to the church and told me that I would go into ministry. Then, I promptly left the church.

It’s funny to me how your purpose finds a way through you, no matter what you try to do instead. Your ministry is the vehicle that you use to deliver your message and in that sense, mine is a beauty ministry.

My work is about clearing out the shrapnel from the crown chakra. That clearing allows you access to the divine wisdom you already have. You don’t need a guru. You don’t need any of that. It’s about remembering the god source within.

Alexandra: That’s beautiful. I love that.

Andi: This is the part where I do feel like it becomes more of a ministry, rather than energy work.

Alexandra: After your work clears the crown chakra, how does it help align people with their soul curriculum?

Andi: I was talking with a client recently about her curly hair. She was telling me how she straightens her hair because she wants it to be more manageable. So, I asked her “What part of you feels like you’re hard to manage?”

It’s interesting because the way you do one thing is the way you do everything. The way you choose your hair color or your hair texture are all echoes of the stories that are already in place. We’re only choosing what we think is available to us.

Alexandra: I can talk about my hair without it being emotional, but the actual physicalizing of the experience brought things up that were very emotional. When you were doing my hair, I felt safe enough to share my hair stories and history- it felt like a ritual and like a therapy session.

Andi: Like ceremony. We do our hair so that we can be seen the way we think we need to be seen, and it’s the piece that we correct externally. It’s like makeup over a blemish. Rather than clearing out whatever the clog is, we wanna just sort of gloss it over and cover it up and make it look sort of nice from far away.

But our hair is actually a time capsule. You’re literally carrying around a diary of every experience, every hormone flux, everything you’ve eaten, everything you’ve not eaten, every time you were sick. It’s all physically there with you.

Alexandra:  Wow, yeah. I never thought about it quite like that.

Andi:  That’s why you get haircuts when you have big life stuff happening, or you want big life stuff to happen.

Cross culturally, the hair symbolizes so much. Whether it’s the Native Americans wearing their hair long and braided to ground them back into Mother Earth, or not cutting your hair in Kundalini so that you have a longer antennae to spirit, or in the way it’s cut in some Tibetan rituals and Hindu rituals. It’s a sacrifice. One of my favorite examples of this ritualistic aspect is when girls go to college. Often, they’ll sacrifice that high school long hair as they step into womanhood.

Your hair becomes an offering to spirit to catalyze the internal change, or to let spirit know how serious you are about the internal change.

Hair Shaman Andi Scarbrough

For appointments with Andi in LA, please call 310-751-4484 or email  [email protected]. Due to the sensitive nature of this service, online booking is not available. More information and service pricing is available at www.andiscarbrough.com. And be sure to follow @crown_works for hair rituals, treatments, and processes!

INDIA TRIPPIN: DRESSING THE INTERNATIONAL GYPSET

Naz Onderoglu of Williamsburg’s new global style hub Soot & Tusk gets the spiritual scoop on Ilgin Utin’s India Trippin’ collection. Because it’s always about the journey…

If an open door beckons to you, please stumble in. On a recent stroll through Williamsburg, BK, we did exactly that, and soon found ourselves in fashion heaven – aka Soot & Tusk, a new boutique bursting with cool creations from independent designers across the globe. Founders Naz, Noyan and Veranika are as international a line-up as the clothes that lines the racks, and leads come from everywhere; “we travel, ask our friends or search all over the internet to find like-minded labels. So spread word, we’re looking for new designers all the time!” says Naz.

Designers like Ilgin Utin, whose incredible India Trippin’ collection is featured in this post. Erm, obsessed much? We asked Naz to reach out to Ilgin (modelling her own designs here) to get the inside scoop…

When were you last ‘India Trippin’?
“I spent four months in India this winter, searching for what money can’t buy and finding my lost spirit, which it’s easy to forget about in my Western life. I had come to a point where I’d lost all interest in material life and my career goals had become meaningless. I realised I had been living in future, not in the moment, and my India trip helped me reconnect with the ‘now’, as well as my creativity.”

How does the country inspire you as an artist?
“Initially it helped me remember the artsy mood of my childhood, but I also found a spiritual connection there which made everything meaningful again and I came to a conclusion that I had to integrate my spirit with my material work. In India, the colourful, fancy and extravagant material expressions are reflections of inner beauty, infused with this ancient, immortal culture of imagination. Seeing real people applying this creativity in their lives, I also figured out that you don’t need to do any research on the internet to be able to understand everything.”

What’s the most mystical experience you had there?
“I had this foresight that I’d find a guru who will lead me on a mystical tour to unknown places and states of minds. But it wasn’t about this. There was no big mystery, I simply felt more grounded and connected to nature, as well as the consciousness that we are all a part of.

Really, no stories?
“Well okay. I was traveling alone in Coorg following my passion for spices and herbs, and I ended up staying on a mountain homestay with a local family. When I met the guy he told me I was the only Muslim traveller that had ever come there, so he was so excited to introduce me his family. I went their 100-year-old house on the mountains, where there were no neighbours, only nature. On meeting his amazing family, I ended up stayed there for a whole week as they insisted.

“I quickly fell into remote village life, speaking Hindu with the mother, being a sister to his son. At nights we had deep conversations about life, and he would tell stories which were basic and pure, but also so illuminating. Of course, he didn’t know I was in a search of guru, but he told me ‘you can stay here as long as you want, we don’t expect anything in return you, but take me as your guru!’ This made me understand that everybody is a guru, from whom I could learn self-realization.”

Describe the woman you are designing for – who is your muse?
“A woman with lots of confidence, with no hesitations and who doesn’t want to hide in the crowd. She likes to be noticed, but she shows up as her inner self, her child spirit. She is very much optimistic, colorful and enjoying life. I don’t have muses, but imaginary characters that I design for. She’s the woman that I want to be.”

What’s your astrological sign, and how does it help define your aesthetic?
“I’m an Aquarius, and I think defines my personality, my lifestyle and my mentality. I believe I am really creative, free spirited, independent, reliable, outgoing, sophisticated and individual because of my sign. I know I born this way. My aesthetic is something I’ve developed by visiting and experiencing so many different cultures, and I’m always in progress and expanding my vision.”

Getting dressed in the morning, what’s your ‘fashion mantra’?
“I never prepare my clothes the day before. So my mantra is; ‘put on your mood!’”

For more information about when Ilgin Utin’s India Trippin’ collection will be available contact [email protected]

@ilginutin